Tuesday, March 10, 2009

Tourism Toronto Brightens a Dreary Day

Looking out the office window, its' very brown today. It was white this morning, so I guess that's an improvement. No colors springing out of the ground yet, so I have to take my colorful pleasures from other sources. Today, it's Tourism Toronto.

The Toronto Convention & Visitors Association recently created a series of colorful kits to send a unique message to prospective convention planners, showcasing Toronto as a tourist destination. The kits were designed by Neil Stewart, with artwork by Liz Parkinson, and were printed by Anstey Bookbinding in Toronto. A visit to their website is a must. Their work is incredible.

The boxes were made using Crane's Flame Red, Tangerine and Raspberry papers. They were printed using letterpress and foil stamping. Inside the boxes are a multi-panel brochure and a recessed piece of art, suitable for framing.











Friday, March 6, 2009

An Airmail Journey into the Crane Past

As you probably know by now, people send me stuff that has to do with Crane's history. That's a good thing, being an historian....

The other day, I got an interoffice envelope with lots of fun things, but one stood out from the rest. Crane is a family business, owned and managed by members of the Crane family. But there are also other families whose members have worked at Crane for generations. We know the Murrays have worked there for five generations. And we know that the Drosehns have had more than 120 members of its extended family employed by Crane.

So, when I came across a piece of paper - the results of a papermaking trial in 1945 with the name Wellspeak - I knew exactly who that would have been. Charlie Wellspeak - that's him standing next to Mary Ward - is a retired papermaker and a curator at the Crane Museum of Papermaking.

But Charlie didn't start working for Crane until 1950 when he got out of the Navy, so I knew it had to be his Dad. Sure enough it was. Charlie tells me that he and his father used to make paper together at Crane's Old Berkshire Mill. Charlie the elder was the machine tender, aka the boss, and Charlie the younger was the backtender, aka the underling. Of course that's how it should be and how it's been done here for more than 200 years - passing down traditions and expertise from generation to generation. Charlie says his father was a tough boss, but "he could make that machine work when no one else could."

Back to the piece of paper Charlie senior made. It's a beautiful snowy white. It has a very soft feel in the hand, yet is crisp and rattly. There is no notation of the basis weight, but it's probably right around 16 pounds.

It was no surprise that this thin paper was being made for Air Mail, as its watermark confirms.

It was a surprise to me that the paper was not made from cotton or flax, but hemp.



"Oh sure," said Charlie. "We made paper from hemp all the time, especially carbon paper." Hemp has notoriously long and strong fibers, so it imparts excellent strength properties to thin papers like Air Mail or carbon.

I won't get into the politics of hemp as a viable raw material for paper made in the United States. I'll leave that to you.

I can tell you that this is one beautiful, strong piece of paper that Charlie's Dad made.

Wednesday, March 4, 2009

Wednesday Eye Candy: Sparkle Amidst the Snow

The next holiday season is a long ways away, but since the weather outside is frightful, I figured it would be OK to show you a really cool holiday card from last season.

I'm a sucker for all things Arts & Crafts, and this particular card comes from Aneita Fern, the exclusive home of fine Stickley furniture for the Dallas/Fort Worth area. In addition to the classic arts and crafts styles, they carry contemporary furnishings, a wide range of accessories, including the world-renowned Frank Lloyd Wright collection, and a variety of fabulous gifts.

Designed by Elizabeth Fenimore and printed by Mitchell Hill Print Solutions, this holiday card evokes memories of a vintage Vanity Fair or New Yorker magazine cover.

The card was printed on Crane's 110# Lettra paper with a Ryobi Duplicator press and Top Level ink. Foil treatments were added with a Kluge press and Nakai foil. The designer used Lettra in order to use the foil stamp and not have the back of the card be affected by the Kluge. The job was run “backwards,” in that the foil stamp was printed first, with the offset then registered to the foil.

Enjoy.









Friday, February 27, 2009

The Obama Man

This post serves to introduce Stuart Hotchkiss as a guest columnist for The Crane Insider. Stuart is the owner of Capital Ties, a privately owned neckwear design and manufacturing business in Washington, DC. Prior to his life as an entrepreneur, Stuart served as President of Time Inc. Home Entertainment, a $200 million enterprise of mail order, retail and licensing businesses, all brand extensions of the Time Inc. Magazine Group. Stuart also was in charge of Time Inc.’s in-house advertising agency. We first met Stuart here.

By Stuart Hotchkiss

“He’s definitely a fashion icon. He’s brand new, he’s a black president, and he’s so handsome.” – Haute Couture Designer Guillermo Mariotto

Other than Harry Truman’s sartorial distinction stemming from his humble beginnings as a haberdasher in downtown Kansas City, no U.S. President has ever created such a fashion buzz nor made as important an impact on the clothes worn by his countrymen as President Barack Obama.

Several events in the 2008 presidential election campaign helped bring Barack Obama’s wardrobe into focus. Plenty of references were made to Mr. Obama’s conservative outlook on suits and his tendency to wear an open collar without a necktie.

Indeed, Mr. Obama's fashion preferences still carry an uncommonly high media profile. Like other industries looking to project our new President as their icon, the men's fashion industry is perfectly justified in creating new designs for “The Obama Man.”

For starters, sales of the dark-navy custom-made suit Mr. Obama wore on Election Night in Chicago have risen dramatically. The suit, made by Chicago’s Hartmarx and sold under its Hart Schaffner Marx label, is a sensible two-button model, with clean lines and made from a worsted wool and cashmere fabric. Hartmarx also made a tuxedo, a topcoat and a suit for President Obama’s Inauguration. Photo by Associated Press.

Of course, the fact that the candidate in question had a youthful, vigorous appearance probably didn't do any harm. Mr. Obama's air of confidence and slightly casual mannerisms are also likely to have been of some influence. In any case, it seems that the American male has definitely taken notice.

So what about other elements of the wardrobe? One reads that suit jackets are no longer mandatory in Oval Office meetings; suits are being worn without ties; and the President conducts interviews - for instance on the night of the Super Bowl - in a mere dress shirt. NBC Photo.

For the record, the practice of wearing a suit without a tie has been acceptable in casual to semi-formal situations for decades. It's common, in fact, for a man to loosen or remove his tie after the more formal portion of an event or function.

The President's formal public appearances have included very tasteful and fashionable neckties. Whether he's more comfortable with or without the tie, Mr. Obama knows when and how to look his best.

To get a true Washington perspective on the matter, I spoke with Craig Fox of Wm. Fox & Co., a haberdasher located a block from the White House who has helped dress Washington’s most powerful men since 1965.

“President Obama is definitely influencing the way men dress,” says Fox, “and it has already had an impact on what I am ordering from my suppliers.” Keep in mind the role of a bonafide haberdasher like Fox is to advise his customers what to buy, not the other way around. Fox sees a new curve and he is trying to stay ahead of it.

Neckties? Fox says the look is getting “ultra conservative – simple designs, and solids,” and “if a tie has a pattern, it’s so tiny that it looks like a solid.” Dress Shirts? “Real clean and crisp,” says Fox, “mostly blue and white solids.”
Photos on the right, top, President Obama's tie worn to sign the Stimulus Bill and, bottom, on his recent visit to Canada. Photos: Neck of State dot com.

Fox carries a nice selection of ties from labels like California-based Robert Talbott and Drake’s of London ; he carries a similarly nice selection of dress shirts from Pennsylvania-based Gitman Bros. and Hilditch & Key of London’s Jermyn Street fame; he is one of the oldest suppliers of Samuelsohn suits and sports coats, a Canadian brand.

Will “Made in America” trump European fashion? “At the end of the day,” says Fox, “it’s more about what a customer can afford to buy these days.” Perhaps it’s great timing that President Obama’s influence on fashion has been conservative, both in terms of styles and budgets.

One sad footnote to this story is that despite President Obama’s desire to avert further economic doom amongst America’s retailers, Hartmarx Corp. and its U.S. subsidiaries filed for Chapter 11 protection on January 23, 2009.

Tuesday, February 24, 2009

A Return to the Elegance of House Stationery

As I write from my home office, it's cold, it's snowy and it's windy. It's still February. So it's time to begin thinking about more pleasant things over the horizon.

A couple of weeks ago, the members of the extended Porter family (Wendy's side) sent in their requests for vacation time at the Porter House. This gem overlooks Phinney's Harbor in Monument Beach on Cape Cod, and has served as the family's vacation getaway since 1913. Built in the late 1800s as the boat house for homes on Phinney's Point, it's been in the family now for five generations.

In June, we'll have members of four of those five generations in attendance at a big family reunion on Phinney's Point, with the Porter House serving as the focal point of activity.

It occurred to me the other day - thinking about summer at the Porter House - that this is the perfect place for "House Stationery."

House stationery is a wonderful tradition going way back where a family engraves an illustration of their home on their stationery. House stationery is available for use by members of the family or by anyone staying at the house. Many times house stationery is in supply at a second home or a vacation home, where the pace of life tends to slow and one can become more reflective.

I found some excellent examples of engraved house stationery when riffling through the archives the other day:







If this strikes your fancy, you should consult with your stationer, who will be able to contact Crane's Art Department for instructions on submitting images and to request a quote for custom artwork. There are some up-front costs, but the reward is well worth it.

Because of the image I hope to use (see below. Painting by Wendy's very talented cousin Tyler Ryder) I may opt for a full-color digital image on Museo Artist Cards. Luckily, I'll have time to explore my options. After all, it's still February.